Gareth started making music in 1993, and has recorded and performed with local Chicago acts Doseagles, Tales of Gesignia, and Spooky Koala the Black Holy Ghost. Currently, he does video production and occasionally plays drums while wearing an alien suit as a member of Texas-based space-western art collective Space Is Dirty. At zZounds, Gareth manages the Recording and Computer Audio categories, and writes product reviews on the zZounds Blog. Favorite instruments and tools include Apple Logic Pro, Korg Monotron, and the harmonica.
Got too much reverb on your drum track? In years past, there used to be nothing you could do about that, other than go back and re-record with closer mics or in a deader room. But sometimes, this isn’t an option. Luckily, with iZotope RX 7 you can actually de-reverb sounds, for a cleaner recording. […]
Introduced in 2010, the original Monotron was Korg’s first analog synthesizer in 25 years. Two years later came the Monotron Delay, which added a built-in digital delay (as well as UV-reflective paint on the front panel). With a synth that’s so basic in functionality, the addition of a delay effect does a lot to help […]
IK Multimedia’s new AXE I/O interface (endorsed by Joe Satriani!) is aimed at the recording guitarist, with the goal of making it easier and faster to get a great tone — especially on direct injection, or DI, recording. To that end, the AXE gives you a few key options for tone shaping: 1. A Passive/Active […]
It’s become a standard practice of modern recording to try and isolate each vocal and instrumental track as much as possible. For instance, making sure there is only snare coming through the snare mic, or isolating the vocals from the guitar during a simultaneous guitar-and-vocals track, etc. The idea behind this, which makes a lot […]
If you’re in the market for a new PA system, you may have noticed the emerging category of consumer line array speakers from brands like JBL, Altec Lansing, and QSC. What makes these speakers ideal (or not) for a given venue or live performance situation? Let’s take a look. Sound Dispersion Line array systems have […]
Born in Brooklyn and a graduate of the Julliard School of Music, synth pioneer Raymond Scott began his career in music in 1931, playing piano for the CBS Radio house band. In 1936 Raymond Scott put together a six-man “quintet” (Scott liked the word quintet, although his band had six members). The Raymond Scott Quintette […]
Spectral Repair is a module available in iZotope RX 7 Standard and RX 7 Advanced audio restoration software that lets you remove and replace unwanted sounds and frequencies in audio. Two things make Spectral Repair much more precise at removing problem sounds than simple EQ’ing or filtering: 1. visualization of the audio and 2. algorithm-based audio […]
Why do you need an analog mono synth? Surely any sound that you can make with an affordable, tabletop analog model like the IK Multimedia UNO can be recreated digitally, right? Wrong. Serious synth players know that analog has its own inimitable vibe and sound. As interest in analog synthesizers remains high, it can be hard […]
First released in 2007, iZotope’s RX software has become an increasingly popular option for audio repair work in music and post-production. One big reason for RX’s popularity is the regularity of major updates, which tend to include improvements as well as useful new capabilities. RX 7 is no exception to this rule. Packed with analyzing, […]