Behind The Kit 51
Want the Cheat Code for Tuning Fat-Sounding Toms?
Every drummer wants their kit to sound fat and fantastic in a mix. There’s just something about an immaculately miked, mixed, and tuned drum kit that elevates any recording instantly. Unfortunately, many drummers miss out on this bliss after disregarding the very first steps when preparing for recording. Today we’ll take a look at the […]
Want a Full-Fledged Outboard Rig at a Fraction of the Cost?
Top-level recording studios all over the world have control rooms filled to the brim with expensive outboard gear, like compressors, preamps, and rack effect processors. Our home studio spaces are not as gear-filled but there’s still a ton of potential in them to track fantastic sounding records. A key to this potential lies at your […]
Push the Boundaries of Your Kick Drum Recording With a Boundary Mic
Having trouble getting your bass drum to cut through a mix? Maybe the low frequencies sound great on their own, but once you’ve got the full kit going, your kick is lost. All you need to do is push the boundaries of your kick drum recording with a boundary microphone. The little mic that could, […]
From Student to Master: The Ludwig Acrolite
The 1960s were a time of musical discovery. Think about the incredible acts that came out of that decade and then imagine all the young drummers that were influenced and grew up with that great ’60s music. If one thing binds nearly all 1960s recorded music together, it’s Ludwig snares. The Ludwig Supraphonic snare drum […]
The ’70s Are Back: Here’s How to Get a Fat Snare Drum Tone
Since the dawn of popular music, fat snare drum tones have been highly sought-after. From thunderous John Bonham drums on Zeppelin records to R&B, neo-soul, and hip-hop tracks from today, that thick, fat, ’70s-esque snare tone can elevate an entire song. Read on, and we’ll show you how to get that thick snare goodness from […]
Two Drum Miking Techniques for Four-Input Interfaces
When most musicians think of miking a drum set, they often picture four microphones right off the bat. One for the snare, kick and a pair of overheads — beautiful simplicity. But where do your overheads go? Where do you mic the snare, or the kick? Today in the studio we’re down to 4 inputs […]
Down to Two Mic Inputs? Use This Technique to Record Your Drums!
Your drum kit is a complicated beast. High and low frequencies collide during every hit, and it’s hard to capture all that complexity when you’re limited by the amount of microphones you can use. Maybe it’s your interface — something like the Focusrite Scarlett 2i2 or the Presonus AudioBox iTwo only provides two XLR inputs […]
No Excuses: Four Ways to Record Drums with One Microphone
You’re down to your final input on the audio interface after miking guitar, vocals and bass, but there’s an entire acoustic drum kit you still need to mic. Or maybe your interface only has a single input and you’ve got drum tracks to record, what do you do? That’s easy, you use one microphone. Though […]
The LinnDrum: Shaping a Generation and Beyond
The iconic LinnDrum sound revolutionized the way music was made in the 1980s. The ability to have drums-on-demand over 40 years ago was no small feat, not to mention the fact that it shaped the percussive elements and bottom of nearly every song it was used on. How did the LinnDrum come to be, and […]
