I’m a guitar and amp addict who loves Wilco, guitar history, and loud, cranked up small-box amplifiers. I go to a lot of local rock shows, record stores, and anywhere with fried food.
Vintage Corner: 1962 Fender Champ-Amp
My Fender Champ was built in 1962 in Fullerton, California. There were a few different variations of this amp, but this version started in 1957 with the 5F1 circuit giving it more gain when you crank the volume, and it was the cheapest amp Fender had made at the time since 1950. The only setting […]
Vintage Vibrato Systems
What do a Fender Stratocaster, a Fender Jazzmaster, and a Gretsch 5420T have in common? If you said “each one has a vibrato system,” you’re correct. And, if you added an asterisk to your answer because each of their vibrato systems are different, then go ahead and give yourself a gold star. These different vibrato systems […]
1956 Harmony H2 Lap Steel
I bought this vintage Harmony lap steel at a time when I was really diving deep into alternative country music. The guitar is 100% original and according to the potentiometer date codes, they were made on the 13th week of 1956 by Cetralab. Lap steel guitars originated from Hawaii, which is probably why they are […]
Overdrive from an Amplifier or a Pedal?
Getting overdrive primarily from an amplifier versus overdrive from a pedal has always been an interesting subject to me. Why is it that people get so obsessed with finding the best overdrive pedal or combination of pedals just to mimic what an amplifier sounds like when it’s being overdriven? Sure, The Beatles would also plug […]
1965 Gibson LG-0 Vintage Acoustic Guitar
Hello. My name is Patrick and I’m a guitar addict. My most recent acquisition is a vintage 1965 Gibson LG-0 acoustic guitar. This model was Gibson’s student level guitar when it was released in 1958 since it lacks some features and has laminated back and sides. The guitar isn’t in mint condition. It has a […]
A Guide to ’65 Reissue Fender Amps
Arguably the most popular amps that Fender released came at the end of the ever-so-talked-about “pre-CBS” era. The most revolutionary thing about these amps is that they had reverb on-board instead of having to put an out-board reverb unit between the guitar’s output and the amplifier’s input. You see these “Blackface” amps, (named for the […]
