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Sergio 88

A guitarist since 1996, Sergio played guitar in The Junior Varsity from 2002-2007 and a handful of times since, as well as playing in many other bands. In addition to guitar, he plays drums and owns and operates recording gear. Sergio is a sci-fi fan, a lover of dogs, and big, loud amps. Sergio is the Senior Guitar Copywriter at zZounds, as well as the manager of the Guitar category, and works as an audio engineer with the zZounds video team.

7 years ago Studio Solutions

Play Guitar Through Your DAW

If you’re a beginning guitarist, you’ll quickly find that playing through a real amp is exhilarating, but can also be frustrating, especially if you have neighbors close by. There’s almost nothing like the sound of a real guitar amp, but digital options have come a long way in the last decade. Playing guitar through a […]

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7 years ago Guitar Workbench

Passive vs. Active Pickups

Even though both passive and active pickups have now been around for decades, some players still don’t know the true differences between the two types. Pickups happen to be one of the most — if not the most — fundamental tone-shaping parts on your electric guitar. Knowing how they work and the different tones they […]

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7 years ago Studio Solutions

Using Two Microphones to Record Electric Guitar

Using two or more microphones when recording electric guitars is a great way to expand your tonal options during the final mixdown. Different microphones impart their own personality on your guitar’s sound and using more than one can help bring out tones that you wouldn’t be able to do with just a single mic. For […]

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8 years ago Guitar Workbench

Overdrive vs. Distortion vs. Fuzz

Overdrive. Distortion. Fuzz. We’ve all heard the terms before. But how exactly are they different? While there are players whouse the words interchangeably, there are distinctive differences between the three types of signal clipping. When I first started playing, the word “distortion” covered the entire gamut of clipping tones. I knew Kurt Cobain used a distortion […]

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8 years ago Gear Demos

Fender Mustang GT Amplifiers

With one foot firmly planted in their vintage past, and the other looking forward to a tech-fueled future, Fender continues to blur that distinction with their Mustang GT combo amps. Loaded with 21 classic amp models, as well as 47 different effects, the Mustang GT-200, GT-100 and GT-40 pack quite a wallop. View your signal chain […]

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8 years ago Studio Solutions

Parallel Compression

Controlling dynamics during the final mixdown can sometimes feel like a compromise, especially on instruments with wide dynamic ranges. Drums, bass, and vocals often produce loud signal peaks that can cause issues when trying to compress the signal. Sure, you can try to put a limiter on the offending track, but that has the possibility […]

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8 years ago Guitar Workbench

Go With the (Signal) Flow

Setting up your pedalboard involves a little more thought than just trying to fit everything together like a real-life game of Tetris. When using two or more pedals, experimenting with signal flow often results in significant differences in your tone. In this edition of Guitar Workbench, we’re taking a closer listen to how overdrive pedals […]

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8 years ago Artist Interviews

St. Vincent Interview at NAMM 2017

With four critically-acclaimed albums under her belt, Grammy award-winning artist Annie Clark (a.k.a. St. Vincent) shows no sign of slowing her momentum. Collaborating with Ernie Ball Music Man last year, her St. Vincent signature model stunned the guitar world with its sleek lines, sharp angles, and all-around cool. Oh yeah, did we mention that this […]

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8 years ago Features

Gear Review: KHDK Dark Blood

There’s almost nothing like plugging into a big tube amp, cranking the volume, setting the gain just right, and letting that thing rip. It’s that x-factor, the “you know it when you hear it” sound, that keeps you coming back for more. There’s something going on among the combination of tubes, capacitors, resistors, transformers, etc. […]

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