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Sergio 102

A guitarist since 1996, Sergio played guitar in The Junior Varsity from 2002-2007 and a handful of times since, as well as playing in many other bands. In addition to guitar, he plays drums and owns and operates recording gear. Sergio is a sci-fi fan, a lover of dogs, and big, loud amps. Sergio is the Senior Guitar Copywriter at zZounds, as well as the manager of the Guitar category, and works as an audio engineer with the zZounds video team.

8 years ago Guitar Workbench

Using a Boost Pedal with Overdrive

Overdrives and boosts, considered by some (me) to be a rock guitarist’s most used effects, help establish the foundation for tasty, clipped tone. While we all know and love the effect overdrive pedals create, boosts have somewhat of a mysterious air about them. Clearly, it’s easier to hear how an overdrive affects your overall tone […]

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8 years ago Studio Solutions

Using Auxiliary Tracks for Reverb

As one of the earliest and most natural recording effects, reverb has been a part of our listening experience ever since any one of us first listened to recorded music. As such, it’s also one of the first effects used by budding recording engineers as they start using DAWs. At first, it might seem perfectly […]

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8 years ago Artist Interviews

Justin Meldal-Johnsen: A zZounds Exclusive Interview

As a master tonesmith both on stage and in the studio, Justin Meldal-Johnsen has worked with a number of acclaimed artists, showcasing his refined sense of sound in a variety of ways. From the hard electronic sound of Nine Inch Nails and the mellow grooves of Beck, to producing pop-punkers Paramore, JMJ’s versatility and vision […]

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8 years ago Guitar Workbench

How to Intonate Your Guitar

Besides knowing how to change strings, knowing how to intonate your instrument is a skill most guitarists should learn. Keeping your guitar intonated keeps notes in tune throughout the length of the neck, with the pleasant side effect of making your guitar more enjoyable to play. Let’s face it, nobody wants to play a guitar […]

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9 years ago Studio Solutions

The Big ’80s Snare Sound

Although the 1980s have come and gone, the impact the decade left on studio techniques (and snare sounds) still lives on today. Yes, some studio tricks from that era can be quite over-the-top, but if you’ve never indulged yourself in how they’re done, you might be missing out on a broad palette of sounds. In […]

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9 years ago Studio Solutions

Play Guitar Through Your DAW

If you’re a beginning guitarist, you’ll quickly find that playing through a real amp is exhilarating, but can also be frustrating, especially if you have neighbors close by. There’s almost nothing like the sound of a real guitar amp, but digital options have come a long way in the last decade. Playing guitar through a […]

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9 years ago Guitar Workbench

Passive vs. Active Pickups

Even though both passive and active pickups have now been around for decades, some players still don’t know the true differences between the two types. Pickups happen to be one of the most — if not the most — fundamental tone-shaping parts on your electric guitar. Knowing how they work and the different tones they […]

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9 years ago Studio Solutions

Using Two Microphones to Record Electric Guitar

Using two or more microphones when recording electric guitars is a great way to expand your tonal options during the final mixdown. Different microphones impart their own personality on your guitar’s sound and using more than one can help bring out tones that you wouldn’t be able to do with just a single mic. For […]

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9 years ago Guitar Workbench

Overdrive vs. Distortion vs. Fuzz

Overdrive. Distortion. Fuzz. We’ve all heard the terms before. But how exactly are they different? While there are players whouse the words interchangeably, there are distinctive differences between the three types of signal clipping. When I first started playing, the word “distortion” covered the entire gamut of clipping tones. I knew Kurt Cobain used a distortion […]

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