As Content Manager, Maya writes about gear for zZounds — especially recording and live sound gear. She started plunking on a piano in 1992, and began audio engineering work in 2000. Over the years, she’s fronted bands, trained commercial voiceover actors, assisted on hundreds of recording sessions, and once co-wrote an alt-rock musical. Currently, Maya’s music gig is singing lullabies to her two young children.
Interview: Inside the Akai MPC Touch
When it comes to iconic music-making gear, the Akai MPC sequencer/sampler/groovebox is definitely high on the list. Akai’s newest version of this classic beat-making machine is the MPC Touch — which pairs a 7″ color multi-touchscreen with the familiar grid of pads and step sequencer. The Touch works as a USB controller and audio interface with […]
Inside the Moog Synthesizer Factory
Asheville, North Carolina is a mecca for artists and musicians of all stripes — but it’s especially dear to the hearts of analog synthesizer enthusiasts. That’s because Asheville is home to the Moog synthesizer factory, where 61 full-time Moog Music employees work to carry on the legacy of the company’s famous founder, Dr. Bob Moog. […]
Talking Gear with the Chicago Acoustic Underground Podcast
Your typical podcast recording setup doesn’t include a 24-channel digital console, a wall of custom-modded guitar amps, and a full drum kit. But Chicago Acoustic Underground isn’t quite your typical podcast. In his quest to capture the work of unknown artists, CAU podcast host Michael Teach has crammed his modest Chicago apartment with musical instruments […]
Chicago Acoustic Underground Celebrates a Decade of Supporting Original Musicians
Michael Teach listens intently as singer-songwriter Sarah Eide and her band knock out a set of original tunes in the living room of his Chicago apartment. “I love that!” he proclaims into his Neumann TLM-103 microphone as the group wraps up their first number. “What a cool song!” Your average 70-year-old doesn’t get quite this […]
Shootout: Black Lion Audio Micro Clock Mk3
What difference does a word clock make? Read on to find out. For this shootout, we recorded acoustic guitar with the Black Lion Audio Micro Clock Mk3 vs. no word clock, and piano/vocal comparing the BLA Micro Clock Mk3 with its predecessor, the BLA Micro Clock Mk2. What Does a Word Clock Do, Anyway? Digital […]
Interview: Marc Walloch, Bassist for AWOLNATION
2015 has been quite the ride so far for bassist/guitarist/songwriter Marc Walloch. With a career that includes stints playing guitar for Juliette Lewis, and several years rising through the alt-rock ranks as a founding member of Company of Thieves — the Chicago band that launched powerhouse vocalist Genevieve’s career — Walloch is currently on the […]
Shootout: IK Multimedia iRig MIC Studio & Shure MOTIV MV51
So far, 2015 seems to be the year of the iOS/USB microphone for mobile recording. Two of the latest iOS/USB mics to arrive at zZounds are the IK Multimedia iRig MIC Studio — a new addition to IK Multimedia’s iRig line of made-for-iOS gear — and the Shure MOTIV MV51, part of Shure’s MOTIV family […]
Behind the Mic: Interview with the Shure MOTIV Engineering and Design Team
This post is part of a “Shure Week” (August 6-13) series celebrating the release of the new MOTIV line of USB and iOS microphones and interfaces. Check with us through the week to learn more about Shure! Shure has been making microphones for over 90 years. While some of Shure’s legendary products — like the […]
New Gear Report: PreSonus Studio 192 & Spectrasonics Omnisphere 2
PreSonus Studio 192 USB Audio Interface I see the Studio 192 as PreSonus’ answer to the other hot rackmount audio interfaces coming out this year (see Universal Audio Apollo series; Focusrite Clarett series). Unlike those Thunderbolt interfaces, the Studio 192 is USB 3.0. And man, this thing shoves a LOT of I/O through a USB […]
