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How-To Guides 5

Learn how to set up your guitar gear, craft unique tones, configure your DAW, optimize your studio and much more with How-To Guides on the zZounds Blog.
8 years ago Guitar Workbench

Confessions of a Guitar Synthesis Addict

Nobody says, “when I grow up, I want to be a guitar synthesis addict.” Well, my name is David, and I have been addicted to guitar synthesis for quite some time now. My own journey through pursuing “synthesizer” sounds on my guitar began with a major realization at a buddy’s show at the Burlington in […]

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8 years ago Studio Solutions

Studio Amp and Effects Modeling with Positive Grid

Getting the perfect tone in the studio can be tough. Whether you’re in your home studio or dishing out the big bucks to track in a professional studio with tons of gear, there are still endless combinations of amps and pedals, all of which behave differently depending on the space they’re in. It’s certainly not […]

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8 years ago Beat Connection

The Elements of a Song

Welcome to Beat Connection, a series dedicated to promoting modern and vintage dance styles the only way we know how…by providing you a musical starting point to help you create that beat. Last time we showed you the way around grid notation – essential info for understanding your way around drum machines and recording software. Today, we go forward […]

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8 years ago Guitar Workbench

How to Deck or Block Your Tremolo

As one of the most distinctive features on perhaps the most famous (and most imitated) guitars ever, the floating tremolo system as found on the Fender Stratocaster (and other guitars like it) is one of the most-played hardware systems out there. The system allows players to create natural, fluttering vibrato, akin to what early jazz and blues […]

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8 years ago Studio Solutions

Parallel Compression

Controlling dynamics during the final mixdown can sometimes feel like a compromise, especially on instruments with wide dynamic ranges. Drums, bass, and vocals often produce loud signal peaks that can cause issues when trying to compress the signal. Sure, you can try to put a limiter on the offending track, but that has the possibility […]

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8 years ago Guitar Workbench

Building a Guitar, Part 1: Choosing Hardware

Welcome to Part 1 of how to build a parts guitar! Over this series of posts, I will be doing a general walkthrough on how to choose parts, with several guides on how to do basic DIY guitar work at home. I certainly know when assembling your own custom guitar, or simply modifying a guitar […]

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8 years ago Studio Solutions

What’s a “Class A” Amplifier?

“Class A” refers to a specific amplifier output design. Without diving too deep into electrical engineering, suffice it to say that Class A is the simplest, most basic circuit topology for an amplifier, and the easiest to design with less inherent distortion. Theoretically, you might say it’s a “perfect,” linear amplifier circuit: the output is […]

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8 years ago Beat Connection

Beat Connection: The Beat Composer’s Cheat Sheet

Welcome to Beat Connection, a series dedicated to promoting modern and vintage dance styles the only way we know how…by providing you a musical starting point to help you create that beat. Today, we go back to the beginning. In plain terms, we’re outlining how what you see in a drum machine translates to what you’ll find in […]

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8 years ago Guitar Workbench

Polish up on Fret Maintenance

A lot of guitarists are vigilant about changing strings and adjusting their guitar’s truss rod, action and intonation with a good setup, but there’s something to be said about keeping your gear clean. Everyone has that friend who asks to try out your guitar, then hands it back with the fretboard feeling like it was left […]

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