• Guitars
  • Bass
  • Keyboard
  • Recording
  • Computer Audio
  • Live Sound
  • Drums
  • DJ
  • Accessories

zZounds

  • Gear
    • Features
    • News
    • Gear History
  • Guide
    • Guitar Workbench
    • Studio Solutions
    • Beat Connection
    • Behind The Kit
    • On The Decks
    • The Oscillator
    • Buying Guides
  • Video
    • Legends
    • Gear Demos
    • Live Streams
    • Perfect Pairings
    • Iconic Rigs
  • Interview
    • Artist Interviews
    • Creator Spotlight
    • Meet the Makers
  • Music
    • The Musical Almanac
    • Music Features
  • Gear Wire

Get the Tone: Tony Iommi

Tony Iommi rocking out. Photo credit: Carl Lender.

Unofficially recognized as the “Godfather of Heavy Metal,” Tony Iommi’s influence on the evolution of distorted electric guitar tone over the past 40+ years cannot be overstated. Iommi, a pioneer of the detuned guitar technique, used immense amounts of gain to convey to the audience the sounds he heard in his head. These tricks and techniques can be heard all across the spectrum of heavy rock, from doom metal to speed and thrash metal.

Tony Iommi and Ozzy Osbourne getting the crowd pumped up. Photo credit: Padgett22

Tony Iommi and Ozzy Osbourne getting the crowd pumped up in 1973. Notice the old Laney Supergroup amps in the background Photo credit: Padgett22

Born in 1948, Iommi grew up in the gritty, industrial town of Birmingham, England. At the age of 17, while working in a sheet metal factory, an accident on some heavy machinery led to Iommi losing the the tips of his middle and ring fingers on his right hand — his fretting hand. To make this story even more heart-wrenching, the accident happened on his last day of work at the factory. Already a part of a band, Iommi was distraught with having to face the fact that he might have to give up playing guitar. Fortunately, his boss at the factory came to visit him while he was recovering and introduced him to the music of famed jazz guitar virtuoso Django Reinhardt, who fretted notes with just his index and middle finger after a fire accident. This discovery inspired Iommi to continue on with his dream of playing guitar. After fashioning some thimble-like prosthetics for his fingertips, Iommi, along with his band Black Sabbath, was well on the path to pioneering the “new” heavy metal sound just a few years after the accident.

It’s no surprise Tony Iommi’s sound has influenced so many across countless genres. If you’re looking to harness the signature blend of power and articulation that drives Black Sabbath’s best riffs, check out our gear picks below. We’ll take a look at Tony Iommi’s signature gear, plus some unlicensed, but clearly Iommi-inspired gear below.

Make it Official

Tony Iommi’s undeniable chops have inspired a number of official signature guitars and amps over the years, and we think two current models in production are among the best. Check them out:

epiphone-tony-iommi-signature-sg

Epiphone Tony Iommi SG Custom

Tony Iommi SG Custom

Tony Iommi SG Custm

Tony Iommi SG Custom

Tony Iommi SG Custom

Tony Iommi SG Custom

From Sabbath’s original release until the present, Gibson SGs have been the guitar model most closely associated with Iommi. Though he played a Fender Stratocaster at the beginning of Black Sabbath’s career, a malfunctioning pickup caused Iommi to switch things up just prior to recording their eponymous debut, Black Sabbath. This backup guitar, a 1965 Gibson SG Special, was outfitted with P-90 pickups and would become Iommi’s main guitar for a number of years. After Sabbath gained some much-deserved recognition, Iommi started experimenting with boutique, custom-made guitars (which were also crafted to emulate the SG’s devilish good looks). By the late ’90s, Gibson started manufacturing his own signature SG, complete with the cross inlays that have always been a part of his custom guitars.

Continuing Iommi’s legacy, Epiphone is producing their own version of a Tony Iommi Signature SG for 2015, available in both right- and left-handed versions. This all-black axe features Tony’s preferred 24-fret neck complete with cross inlays along with Gibson-manufactured Tony Iommi Signature humbucking pickups.

Laney TI100

Laney TI100

Laney TI100 Tony Iommi Signature

Dialing in that heavy tone takes more than just a guitar. Since essentially the beginning of his career, Iommi has used Laney amplifiers to get all the dark, super-overdriven tone needed to create his sinister soundscapes. Initially plugging into Laney Supergroup amp heads, Iommi was finally honored with his own signature Laney in the early ’90s, the GH100TI. Despite experimenting with Marshalls and other high-gain amps, Tony always seems to find his way back to Laney. Most recently, Laney once again teamed up with Iommi to create the TI100 signature head. Basically a souped-up, two-channel version of the GH100TI, this amp has a ton of gain on hand for Iommi to tap any time it’s needed. The metal grill on the front includes cross-shaped cutouts to reveal the guts of the amp, which happen to be lit up with a sinister red glow. Also available is the TI15-112, a single-channel 15-watt combo that you can rock in your bedroom studio.

 

The Alternative Path

Catalinbread Sabbra Cadabra

Catalinbread Sabbra Cadabra

Of course, not every aspiring Master of Reality can afford a new amp or signature axe. If you’re looking to get a taste of Tony Iommi’s wicked guitar tone, look no further than Catalinbread’s Sabbra Cadabra. Voiced to give you the same tone Iommi got by plugging in a treble-boosting Rangemaster into overdriven Laney Supergroup amps, you’ll get that same biting saturated tone with a stomp. Turn up the presence for those scorching “Iron Man” leads, or dial it back to get sludy, “Sweet Leaf” riffage. Notice the clever Vol.4 control?

All in the hands

Tony Iommi’s guitar-playing career can be summarized as one that went against the grain of convention. In order to accommodate the injuries to his fretting hand, Tony had to innovate new ways to approach his guitar playing — from detuning his instrument in order to lessen string tension (which paved the way for countless heavy bands), to using incredibly light-gauged strings for even less tension. He also found a way to create some of the heaviest tones ever heard on record at the time using a guitar outfitted with P-90 pickups. Despite his own limitations, Iommi found a way to overcome his earlier obstacles to become one of the biggest rock stars in the world, continuing to influence innumerable younger players to this day. Here’s to a hundred more memorable riffs, Mr. Iommi!

Top Image Photo Credit: Carl Lender

Aug 25, 2015Sergio
9 years ago 3 Comments Features
Sergio

A guitarist since 1996, Sergio played guitar in The Junior Varsity from 2002-2007 and a handful of times since, as well as playing in many other bands. In addition to guitar, he plays drums and owns and operates recording gear. Sergio is a sci-fi fan, a lover of dogs, and big, loud amps. Sergio is the Senior Guitar Copywriter at zZounds, as well as the manager of the Guitar category, and works as an audio engineer with the zZounds video team.

Frameworks - LoomEpisode 30 – Merle Haggard
Comments: 3
  1. Rob Dotzler
    9 years ago

    “an other”, sorry for the typo.

    ReplyCancel
  2. Rob Dotzler
    9 years ago

    If I have this right, if I’m playing a SG HP with a TI15-112, I shouldn’t need a Sabbra Cadabra unless I break out my Epi LPJ or other an LP on my travel amp, a DigiTech DG15, correct? I don’t mind adding the Sabbra to my travel gear, but I just want to be sure that it’d be redundant in my home set up. Thanks much.

    ReplyCancel
    • Sergio
      9 years ago

      Hi Rob, thanks for your question.

      If you really need/want that classic Iommi tone when you are on your travel amp, then by all means go ahead and use the Sabbra Cadabra! I would recommend just trying it out to see if it fits you. You can even use the Sabbra Cadabra with your TI15-112 to see what kind of tone it creates! One of my favorite parts of being a guitarist is trying out a bunch of different pedal/amp/guitar combos to find the sound that works for you. There are no “rules” to crafting your tone, so be experimental and try different things — you just might end up creating a distinctive tone that we all will want to emulate!

      ReplyCancel

Leave a Reply Cancel reply


The reCAPTCHA verification period has expired. Please reload the page.

 Social Networks 
 About zZounds 
Since 1996, zZounds has been making it easy for musicians to get the gear they need. With our easy monthly payment plans, you can get the music gear you need today -- and split the cost into monthly installments on your existing credit card. zZounds ships from multiple warehouses across the continental United States, so we can cover most of our customers within a day or two. Our customer service team is staffed with real musicians. They don't get paid on commission -- they get paid to help you! Looking for the best prices? Don't miss our Big Deals weekly specials, Used Gear on Clearance, and The Drop for monthly promos, sales, and special offers.
 Contact Us 
Have questions or comments on our blog? Email blog@zzounds.com

zZounds Gear Experts are available seven days a week to answer any of your questions on gear, shipping, returns, and more. Give us a call and get help from a fellow musician today!
800-ZZOUNDS (800-996-8637)
2025 © zZounds Music | Cookie Settings | Privacy Policy | Do Not Sell/Share | Notice at Collection | Copyright | Terms of Use
For great deals on gear, shop at zZounds