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How-To Guides 5

Learn how to set up your guitar gear, craft unique tones, configure your DAW, optimize your studio and much more with How-To Guides on the zZounds Blog.
6 years ago Behind The Kit

Cymbal Anatomy Part 3: Thickness

So far, we’ve discussed attributes that affect your cymbals’ overall tone, namely its hammering and lathing. Here we’ll discuss one of the most important features that affects a cymbal’s aural envelope: thickness. The thickness of your cymbal shapes everything from strike feel to its attack, decay, sustain, and release (terms familiar to synthesists that might […]

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6 years ago Beat Connection

Beat Techniques: Binaural Production

Welcome to Beat Connection, a series dedicated to promoting modern and vintage dance styles the only way we know how…by providing you a musical starting point to help you create that beat. In the majority of our recent posts, we’ve been taking you on a journey to what I’d dub “foundational beats.” These foundational beats […]

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6 years ago Guitar Workbench

Guitar Workbench Collection: Setting Up Your Guitar

Whether you’ve just unboxed a brand-new axe or you’re looking to dust off an old favorite, chances are going through a few simple setup procedures will bring out the best in your playing and make it easier to form a bond with your instrument. In this collection, we’ve put together some of our helpful Guitar […]

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6 years ago Studio Solutions

How to Use a SubKick on Studio Drums

The SubKick has been around for a long time, or at least the idea of it has. Using a reverse-polarity speaker as a dynamic microphone has been around since at least the ’60s as a recording technique, but didn’t popularize until the early 2000s when Yamaha released the SKRM-100. The SubKick uses the physical movement […]

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6 years ago Behind The Kit

How to Build a DIY SubKick

Yamaha made a splash in the drum miking game when their SKRM-100 SubKick collaboration with session drummer Russ Miller was released in 2004. The practice of wiring a speaker in reverse to act as a transducer has been around for a long time in production, but was made widely accessible with the SKRM-100 release. Ever […]

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6 years ago Guitar Workbench

Vintage Vibrato Systems

What do a Fender Stratocaster, a Fender Jazzmaster, and a Gretsch 5420T have in common? If you said “each one has a vibrato system,” you’re correct. And, if you added an asterisk to your answer because each of their vibrato systems are different, then go ahead and give yourself a gold star. These different vibrato systems […]

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6 years ago Studio Solutions

The Spongy Sounds of the IK Multimedia UNO Synth

Why do you need an analog mono synth? Surely any sound that you can make with an affordable, tabletop analog model like the IK Multimedia UNO can be recreated digitally, right? Wrong. Serious synth players know that analog has its own inimitable vibe and sound. As interest in analog synthesizers remains high, it can be hard […]

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6 years ago Guitar Workbench

Electro-Harmonix Triangle Big Muff Demo

Electro-Harmonix has surprised us once again with the resurrection of a classic iteration of their most beloved pedal. Based on the original from 1969, the Triangle Big Muff Pi is a one-way ticket to high-gain heaven, with tons of extra volume on tap and a powerful tone control. From rippling velcro-esque sounds, to super-compressed, over-the-top […]

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6 years ago Studio Solutions

How to Fatten Up Those Guitars

So, you’ve managed to record the perfect guitar take, but now you’re playing back the mix and and there’s something just a tad off. Maybe the guitars don’t seem quite big enough, or maybe they just aren’t as punchy as what you were looking for. Well, fear not my friends! I’m here to give you […]

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