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Exploring the Korg volca modular

Korg Volca Modular

It’s a “West Coast style” modular synthesizer! It has 50 patch points! It’s… perhaps a little intimidating at first glance.

The Korg volca modular is a “micro modular synthesizer.” This means that it’s made up of individual modules: the sections of a synthesizer that perform different functions, such as selecting the sound source, adjusting the ADSR envelope (attack, decay, sustain, and release of the sound) and the effects sections. This is not as complicated or hard to use as it may seem.

Someone hand me a patch cable.

On most modular synths, especially older/classic ones, you have to patch (connect) everything together with patch cables in order to get any sound at all. Without connecting the oscillator to the envelope, (and so on) you don’t get any sound. The volca modular is already wired together internally, and is completely playable without the use of any patch cables — but patching is where the fun really comes in. And the volca modular is designed to let you patch in unexpected and common-sense-defying ways, allowing the creation of really unique sounds.

Our friends at Korg came by to shoot a demo on the volca modular

East vs. West Coast Synthesis

Now with an “East Coast style” subtractive synth (think “traditional” with no patch cables), the oscillators generate a simple wave (usually square or saw shape), which is modified by a filter, creating most of the classic sounds we associate with the word “synthesizer.” “West Coast style” synths like the volca modular work differently: by starting with a more overtone-rich oscillator, such as FM (short for frequency modulation), and combining that with complex control circuits to vary the tone.

Doesn’t make sense? Doesn’t matter, just start twisting knobs!

It’s a bit complicated under the hood, and it makes modular synths more random and harder to control — which is exactly the point. If you have a specific sound in your head that you’re trying to create, it might be hard to get there with a modular synth. But if you try, you’re likely to discover 10 other interesting sounds in the process, which you may never be able to recreate again! In my opinion, the fun of modular synthesis isn’t in diving deep into the manual and trying to figure out how to control the beast, it’s letting the lack of control take over and lead you into new, surprising territory.

Interesting yet non-essential information

Sound Samples

So with that said, let’s stop talking about tech specs and start listening to some freaky sounds!

Volca modular in a Mix

For fun I also tried throwing the volca modular onto a synth-pop track I’m currently mixing. I didn’t use the “CV In” on the volca, which uses control voltage to sync the volca modular with your computer or other MIDI gear. Instead I just set the tempo, pressed play, and hoped that it would line up rhythmically with the rest of the track. I got pretty lucky on the first try, but it would be easy to simply record the volca modular then drag it into alignment in your DAW. Or even easier to use CV sync! Here’s the raw recording of the volca modular:

And here’s the track with the other instrumentals (please withhold judgment on this very rough mix!):

Learn more about the Korg volca modular synthesizer >>

Feb 18, 2020Gareth
5 years ago 1 Comment The Oscillator
Gareth

Gareth started making music in 1993, and has recorded and performed with local Chicago acts Doseagles, Tales of Gesignia, and Spooky Koala the Black Holy Ghost. Currently, he does video production and occasionally plays drums while wearing an alien suit as a member of Texas-based space-western art collective Space Is Dirty. At zZounds, Gareth manages the Recording and Computer Audio categories, and writes product reviews on the zZounds Blog. Favorite instruments and tools include Apple Logic Pro, Korg Monotron, and the harmonica.

Episode 157: Delbert McClintonHybrid Mixers: Analog Mixers Meet Digital Tech
Comments: 1
  1. Bruce A Baldy
    5 years ago

    I like it. The people at Korg continue to please me.

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