• Guitars
  • Bass
  • Keyboard
  • Recording
  • Computer Audio
  • Live Sound
  • Drums
  • DJ
  • Accessories

zZounds

  • Gear
    • Features
    • News
    • Gear History
  • Guide
    • Guitar Workbench
    • Studio Solutions
    • Beat Connection
    • Behind The Kit
    • On The Decks
    • The Oscillator
    • Buying Guides
  • Video
    • Legends
    • Gear Demos
    • Live Streams
    • Perfect Pairings
    • Iconic Rigs
  • Interview
    • Artist Interviews
    • Creator Spotlight
    • Meet the Makers
  • Music
    • The Musical Almanac
    • Music Features
  • Gear Wire

Need To Downsize Your Kit?

Above: Terry Bozzio’s not-so-compact-kit. Image Credit: Wikipedia

OK, so you want a new kit but you hate big, bulky drums. As much as small drums make me cringe, I get it. You don’t want to go through the trouble of having to try and fit a drum set that comes with a 22″ or 24″ bass drum into your two-passenger Mazda Miata. You also don’t enjoy getting smacked in the back of your head every time you turn around because your bass drum is bulging out of the back seat…I get it. This is a common unpleasant thing that most drummers go through. But wait…there is a solution.

Olympic 12 Jazz kit, circa 1939

Olympic 12 Jazz kit, circa 1939

The thought of implementing smaller drum sizes came about in the 1940s. Jazz music was thriving at that time, but it was a more “controlled” style of jazz than what you hear today. Drummers essentially kept a solid beat a majority of the time. The music was used mostly as a form of entertainment for bars and clubs; making it excellent for dancing and livening the mood.

Max Roach

Max Roach

With the rise of bebop, however, jazz became more experimental and free. Drummers now could improvise and really explore the possibilities of what a drum set is capable of. This sparked the transition into the need for smaller sized drums to fit the style/sound of the music.You had drummers like Max Roach and Ron Hayes paving the way and really showing you how you can get these tight snappy sounds out of these smaller drum sizes. This took a huge weight off drummers (literally), because now they could venture outside the norm musically and didn’t have to worry about lugging a ginormous bass drum around. And thus, small drums were born.

Premier APK Club Ace 20 Kit

Premier APK Club Ace 20 Kit

Sizes, sizes, sizes! Sticking to a kit where no drum exceeds 20″ is key, anything bigger and you’ve got yourself facing the same problems as your old kit. If you don’t want to jump into anything too small right away, then stick with something like the Premier APK Club Ace kit. This comes with a 20″ x 10″ bass drum, 10″ x 6.5″ high tom, 13″ x 11″ floor tom and a 13″ x 5.5″ snare. All birch shells, giving you a nice bright tone, with tons of attack. I like this kit because it’s simple. There isn’t a lot of extra stuff that you don’t need. It’s a kit that is easy to set up and plays right out of the box. It also features Premier’s low-mass lugs that blend perfectly with the style of the kit. Premier threw on an ISO tom mount as well, allowing for adjustments to be made with ease. There are a few different options of sparkled wraps offered for this kit that will surely meet all your sparkly needs.

Ludwig LC179X Breakbeats Questlove Kit

Ludwig LC179X Breakbeats Questlove Kit

Is the Premier kit too big for you? No problem. There are so many options for smaller sizes. Ludwig also makes a sick compact drum kit, the Breakbeats. This was designed by living legend Questlove (The Roots, Jimmy Fallon Show). This is perfect for club shows, apartment living, or even touring artists that have little space to work with. The Breakbeats kit comes with a 14″ x 16″ bass drum, 13″ X 13″ floor tom, 7″ X 10″ high tom and a 5″ X 14″ snare. This thing will fit almost anywhere and is excellent for fans of jazz, funk, soul and pop because you can get that crisp sound out of the toms that just makes them sing. However, this kit also has plenty of  warmth and resonance, and with the right heads and tuning, can work for multiple genres.

Oh and P.S., the snare on this kit is amazing. Some companies seem to fall short in that category when it comes to full-on drum set packages, not Ludwig. If you slap on a good thin-plied snare head (Remo Ambassador or an Evans Genera Dry Vented Coated) and crank up the tuning, you can get a responsive whip out of it. This is awesome for a drummer who plays a lot of ghost notes because they come through superbly. I also am a huge fan of the lugs on these. They have Keystone-style lugs, which are modeled after vintage lugs they would use on their kits back in the ’70s. This gives it more of that vintage style and look, which I am a sucker for. Ludwig also offers soft shell cases for these, allowing you to break these down with easy transportation to any gig.

Pacific Drums New Yoker Bop Kit

Pacific Drums New Yoker Bop Kit

Pacific Drums has a kit with a similar concept to Ludwig’s Breakbeats, called the New Yorker Bop. This is also a 4-piece, but with a little larger of a bass drum, coming in at 14″ x 18.” These are comprised of all popular shells (similar to birch) which excel in higher tunings, offering a nice crisp sound with great attack. However, I have found that you can still get a good amount of low end and a nice thump when you tune these low. Also, like the Breakbeats kit, this comes with a great-sounding snare. The odd 6″ x 13″ snare size allows it to cover more ground than you may think. With the medium-sized depth you can get decent amount of body out of the snare, but the smaller diameter allows you to still retain that high end crack. This is a great kit for someone who is starting to gig locally or just needs a small practice kit.

It’s crazy, right? Smaller drums fix everything. No more hauling around a massive kit, while trying to carry as many pieces into the venue at one time as you can–because you are trying not to look like the lazy band member that barely carries anything in. No more worrying whether your drums will fit in your car or not. You now have the freedom to move your head where ever you please while driving. Ahhh…so luxurious

Sep 17, 2015Austin
9 years ago Features
Austin

Austin manages zZounds' Quality Control team, which oversees hiring, training, and performance feedback/growth. Starting on drums at age 13, Austin has since toured the US and Canada for many years while writing and recording a handful of records. Austin is a lover of vintage drum gear and experimenting with various cymbals and snares. Always reading, learning, and trying to get better, Austin enjoys exploring the potential of what could be and working to see it come to fruition.

Ronnie Lane's Slim Chance - One for the RoadAlt-J - An Awesome Wave

Leave a Reply Cancel reply


The reCAPTCHA verification period has expired. Please reload the page.

 Social Networks 
 About zZounds 
Since 1996, zZounds has been making it easy for musicians to get the gear they need. With our easy monthly payment plans, you can get the music gear you need today -- and split the cost into monthly installments on your existing credit card. zZounds ships from multiple warehouses across the continental United States, so we can cover most of our customers within a day or two. Our customer service team is staffed with real musicians. They don't get paid on commission -- they get paid to help you! Looking for the best prices? Don't miss our Big Deals weekly specials, Used Gear on Clearance, and The Drop for monthly promos, sales, and special offers.
 Contact Us 
Have questions or comments on our blog? Email blog@zzounds.com

zZounds Gear Experts are available seven days a week to answer any of your questions on gear, shipping, returns, and more. Give us a call and get help from a fellow musician today!
800-ZZOUNDS (800-996-8637)
2025 © zZounds Music | Cookie Settings | Privacy Policy | Do Not Sell/Share | Notice at Collection | Copyright | Terms of Use
For great deals on gear, shop at zZounds