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Talking Shop: Essential Gear

Talking Shop - Most Important Gear

Take a moment to think about the most important piece of gear in your rig or studio. Maybe it’s your most powerful, most capable, or most expensive piece of gear. But what happens when the strap comes off your vintage guitar and all its sweet, inherent mojo falls from your shoulder to make contact with the floor? Or when the battery of your MacBook Pro dies, and all your plugins are rendered useless as you scramble to plug in to the nearest outlet?

Sometimes, it’s the little things — the overlooked simple pieces of gear — that are the most essential. When they work, you don’t even notice them. But when they don’t, they can cut your gig short, wipe out unsaved changes on your masterpiece, making their presence known. Here are some of the zZounds crew’s picks for such overlooked, yet essential gear. 

Strap Locks

I am baffled as to why every single instrument or strap doesn’t offer this feature in one way or another. I spent my formative years in loud and terrible punk/metal bands, so thrashing around on the stage, basement floor, or friend’s living room to cover up my bad playing was key. The first time I saw someone else duct-tape the hell out of their strap I quickly copied their approach. Then one day, I stumbled across strap locks and in one form or another, have had them on all my guitars since. 

Even when you’re just standing around playing, having your guitar strap fall off and force you to awkwardly fumble to hold up your guitar and keep riffin’ to stay in the game is the guitarist’s version of being pantsed. If a cheap, small piece of plastic can prevent that, then why not use it? My current go-to is the Planet Waves ‘Planet Lock’ strap. It’s a basic black strap that has a ratcheting system to lock onto your existing strap buttons, simple and easy, no drills or screwdrivers required.

Pictured stage right: why you want strap locks.

If you have a strap you already love, like a super badass police tape strap to let everyone know you’re a rocker from the wrong side of the tracks, or big fat comfy leather one because you’re not 23 any more and your shoulder hurts, D’Addario Universal Strap Locks are a great option for their simple and slim design. Plus they’re co-designed by Ned Steinberger so you know they’re on the minimalist-based functionality game.

– Corbin, Social Media Manager

Hosa 1.5′ Power Cable

This thing is definitely the best money I’ve ever spent on any piece of gear, hands down. I can’t even count how many times there’s been a serious lack of power outlets and this thing’s length has saved the day. Most of these cables are only 6 feet long, but this is over twice that. Pedalboards, amplifiers. powered speakers, mixers- I’ve powered all of them with this thing where previously I would have been in a panic or chaining three power strips together (not recommended). I’d pay twice as much for one, it’s that important to me. Mobile DJs take note — we even sell a 25-foot-long one.
 
– Russell, Customer Advocate
 

Boss CS-3 Compressor/Sustainer Pedal

Boss CS-3 Compressor-Sustainer

Boss CS-3 Compressor-Sustainer

Once I saw Juan Alderete talk about the benefits of adding a compressor to his pedalboard/signal path (so much so that he leaves one on 100% of the time!), I was curious enough to borrow a Boss CS-3 from a friend. I too am a bass player who uses a few different types of effects, currently I’m playing funk/latin/synth sounds primarily. The first thing I noticed after putting the compressor on at the very end of the signal chain (after every other pedal), was an enhanced upper-frequency response; it felt like there was a not-too-gentle girth and presence boost, with more clarity and punch in the lower mids. Putting it at the end of my chain also had the benefit of making sure whatever combination of pedals I’m using doesn’t spike the gain to my amp, keeping my output volume consistent & making sound guys happy.
 
Also, since a tour stop in New Orleans in 2014, I have played every gig with this latin band wearing a necklace made from a Gulf oyster shell. I feel that the cumulative mojo from dozens of funky, latin-inspired dance parties benefits all future shows by storing up cosmic funk vibrations and fluctuations, channeling them thru my chest cavity (using the heart as tempo control/funklectrical grounding), utilizing pumpalicious spreaditude to direct the “flux-vibes” through my hands, into the bass; and from there via the pedals & amp to funkify the audience & instigate motion of the Remote Booty Brigade (aka, the audience). So far, it’s functioning perfectly.
Just throwing these out there. 
 
– Ezra, Customer Service Representative
 

The Default Recording App on Your Phone

The app that launched a thousand modern hits

The app that launched a thousand modern hits

My pick is not exactly a piece of gear, but important nonetheless: it’s the default recording app on your phone, in conjunction with the default microphone on your phone. Why so specifically basic, you ask? While there are better options out there for those seeking high-quality recordings — I’m looking at you Shure MOTIV and IK Multimedia iRig gear — there is no quicker, more accessible way to capture ideas on the fly than with your phone’s default recording app and on-board mic.   

Sure on the iPhone it’s called Voice Memos, but unless you’re a modern-day Dale Cooper giving Diane your whereabouts, you’re probably using yours to record those elusive melody ideas or lyrics before they vanish into the ether, and you can kiss the next “In My Feelings” goodbye.

 – Mason, Blog Manager

 

Pearl Joey Jordison Signature Snare Drum

Pearl Joey Jordison signature snare drum

Pearl Joey Jordison signature snare drum

One piece of gear that I couldn’t perform without is hands down the Pearl Joey Jordison Signature Snare Drum. It’s a 13” x 6.5” steel snare that has all the body of a deep wood snare and the bite and crack of tightly tuned piccolo. I’ve had this baby for nine years now and while I’ve updated almost every other portion of my kit over the years, the snare has to stay the same. Even though I don’t play music that sounds anything remotely close to Slipknot, it sounds great live and it has the attack to cut through the mix in smaller venues where the whole kit isn’t miked up. It sounds absolutely amazing in the studio, too. One of my favorite things about this snare is during soundcheck at venues – the crack is so overwhelming and unexpected that everybody in the audience winces along with every quarter note I hit. Totally love it, totally can’t live without it!

– Sean, zZounds Gear Expert

Wireless Mouse

Efficiency is crucial when you’re working on a lot of mixes at once. In my opinion, the mouse pad does not make it easy to edit between takes. Purchasing a wireless mouse dramatically changed my workflow. I use the Lenovo YOGA Mouse, but you can use any wireless mouse that is compatible with your computer. Once you get one, you’ll hate editing without it. JUST MAKE SURE YOU ACTUALLY CHARGE IT!”

– John, zZounds Gear Expert

Sep 8, 2018Mason
6 years ago 1 Comment Features
Mason

Mason has played guitar since age 14 and has remained a charmingly amateurish musician ever since. Mason joined zZounds in 2014 and serves as editor of the zZounds Blog, as well as Accessories Merchandiser. Prior to zZounds, he earned a degree in journalism and worked as a newspaper editor and freelance writer. When not writing or editing for zZounds, you can find him playing his Strat, hosting bar trivia, and chasing his toddler around the house.

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Comments: 1
  1. Lee Lasiter
    6 years ago

    Love the strap lock. Otherwise strings, cable, power supplies, drum heads – mainly trying to keep what you have working barring having to bring along backup (2 amps, 2 guitars, etc.) for whatever you are playing.

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